Online Catalogues

Spaces in Between explores the world of two of Australia’s most accomplished artists, both of whom have been developing their art over the last 50 years. While both King and Coventry’s art is abstract and at first glance seems very different, they are in fact very close in their approach the art making; both responding to light and space.

the TERRA within is a major exhibition exploring the themes impact and survival in relation to the 250th Anniversary of Cook’s voyage to the east coast of Australia, featuring powerful artworks by more than 30 Indigenous artists.

It addresses the impacts of the past 250 years of colonisation and celebrates the survival of the oldest living culture in the world. Drawing from artists across Australia, with a particular focus on South Coast voices, this exhibition brings together traditional and contemporary art, exploring the multitude of experiences and perspectives of this significant anniversary. It acknowledges the trauma, brings new and different voices to light and provides a place to celebrate the continuation of culture, knowledge and connection to country.

Altered States explores Australian identity and our changing relationship with our environment through photographs of the Australian Landscape which have been modified by the hand of the artist. By adjusting the expected vista, with the addition of foreign objects, figures or projections, these artists cause us to look twice at their works and question the land we inhabit and how we relate to it, now and throughout history.

Iya-nla means big mother. Using laborious techniques such as crochet and hand beading, Paula combines domestic cloths passed down from women in her family with recycled fabrics and yarns. The works function as sensorial triggers to explore the intersections of Paula’s family history with the Atlantic slave trade, colonisation and migration.

For Guy Warren personal experience and memory are vitally important, intertwining with subject matter across his works. Certain events and places had such strong impact that they appear constantly throughout the paintings, prints and drawings Warren has produced over the past six decades.
A canoeing trip down the Shoalhaven River Warren undertook in 1939, at the age of sixteen, and a block of land at the head of the Jamberoo valley on which Warren built a shed have both been integral to his practice. Images of the river, canoe and the ‘hut on the hill,’ all imbued with memories and fantasies, are a strong presence throughout his works and the complex overlapping of form found within the rainforest has impacted depth and patterning across his entire oeuvre.